A
Brief History of the Palo Alto Players
Born
in the Depression, the Peninsula's first theatre company, Palo Alto
Players, began when a group of one hundred like-minded citizens
gathered together to create a theatre group for the community. Initially,
productions were at a makeshift performance space in the Palo Alto
Community House adjacent to the train station (now MacArthur Park
Restaurant). The Players soon gained a patron in their audience
member Lucie Stern, who donated funds to give them a home, the Palo
Alto Community Theatre, now a part of the city-owned Lucie Stern
Community Center, at Rinconada Park.
The same year it settled into its new home (1934), the organization
was incorporated as the tax-exempt, nonprofit Palo Alto Community
Players, Inc. The company was associated with Palo Alto's Parks
and Recreation Department and was fully subsidized by the City of
Palo Alto which provided all funds to meet operational costs, including
its professional staffing. World War II found the company producing
"defense plays" for the purposes of civil defense information
and, of course, entertainment. The Players also traveled to military
camps throughout the Bay Area to entertain the troops. In 1948,
the Players created the Palo Alto Teen Players, a group that lasted
through the late sixties. Musical productions were not added as
a regular part of Players' programming until the 1950s.
In 1974, the Community Players dissolved their ties with the Parks
and Recreation Department, choosing to become an independent company.
However, since that time, the City of Palo Alto has continued to
support the Palo Alto Players with performance, rehearsal and shop
space at the city-owned Community Theater (also known as the Lucie
Stern Theater).
In 1986, under the leadership of Executive Director Peter Bliznick,
the Players received by charitable donation the historic Fox Theater
in downtown Redwood City. This opened up a new community performance
venue in addition to the one enjoyed by the revitalized Palo Alto
program. A new branch of the company was created-Peninsula Center
Stage (PCS)-which began with three seasons of open-air performances
called Shakespeare-at-Woodside (1988-1990). In 1991, and in addition
to its programming in Palo Alto, PAP-PCS began mounting full seasons
of musical productions to standing room only audiences at the Fox.
To help meet the financial challenges of the future and to ensure
that the focus of the company would remain production and not theater
restoration, the old Fox building was sold in 1998. In March 2000,
Peninsula Center Stage productions ceased in Redwood City enabling
the organization to concentrate fully on producing high-quality
productions with its venerable Palo Alto Players program.
Quite a few participants in Palo Alto Players have gone on to make
important contributions in education and the film industry, including
Danny Glover (Of Mice and Men, PAP 1976), two-time Oscar winning
Midnight Cowboy and Coming Home screenwriter Waldo Salt (Mr. Pim
Passes By, PAP 1935) and 1991 Oscar recipient, Jack Palance (The
Philadelphia Story, PAP 1946). In fact, the roots of many of the
Bay Area's theatre companies, including many of its artists and
artistic leaders, can be traced back to the excellence in theatre
of the Palo Alto Players, an excellence that has been the hallmark
of the Players since 1931.
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